AW11 - BEHIND THE PRINTS

Posted by Fashion Junior at Large

It's safe to say that the AW11 collections in London were all about print. Our eyes were bombarded from every side with a rich feast of colour and shape blended into graphic patterns, and it was exciting to see so many designers embracing the allure of prints. We were transfixed, so decided to put our art-historian hat on to discover what the inspirational pieces which may have inspired the London designers.

Three stand-out collections deserve a closer look: the amazing prints at Erdem, Jonathan Saunders and Mary Katrantzou.

Erdem

We always have high expectations of Erdem's exquisite print designs, and this season their stunning beauty took on a new level of depth.

This statuesque column dress features an array of vibrant jewel tones; the velvet fabric adds to the rich depth of colour and gives the impression that different fabrics have somehow been burnt and fused together.

This trench - which no doubt be gracing many a Fashion Editor's back come next Fashion Week - has distinct echoes of Monet's Waterlillies series of paintings.

Blood red, stunning floral explosions and dappled colour. There is something about the drama and romanticism of these prints makes me think of Pre-Raphelite paintings.

Monet's Reflections of Clouds on the Water

Nymphs Finding The Head Of Orpheus by John William Waterhouse

La Belle Dames Sans Merci by John William Waterhouse

Jonathan Saunders

This collection was breathtaking in it's simple, yet beautiful elegance, and Saunders' amazing use of colour. The incredible repeated floral prints and bird imagery had strong similarities to the William Morris aesthetic of the late 1800s, but the colour palette ensured the looks felt contemporary.

The primary motifs were these intricate floral and botantical designs...

...interspersed with these blocky graphic shapes, which recall 1930s styles.

 

This lovely bird print was confirmation that birds will be EVERYWHERE by the time autumn comes around.

Prints upon prints upon prints! Inspired by nature, but made much more exciting with these bright hues!

William Morris ceramic tiles from the late 19th Century

The Strawberry Thief by William Morris

Snakeshead by William Morris (1867)

An original 1930s dress pattern, which echoes the shape and prints of Jonathan Saunders AW11

Mary Katrantzou

Quite possibly the best collection of the week, Mary's designs were spectacular, each print a complex hybrid of artistic references, including the superlative extravagance of Fabergé eggs, traditional Oriental designs and Russian Orthodoxy.

This painting-within-a-print is a beautiful example of ancient Japanese artistry.

The combination of graphic shapes and floral designs call to mind the decadent interiors of Russian cathedrals...

...while another Russian influence is clear to see: the gorgeous artwork of Fabergé eggs.

The Rose Trellis Fabergé egg, created in 1907 - a direct reference for Katrantzou's AW11 collection

The original Fabergé Imperial Clover egg, created in 1902 for the Tzar, Nicholas II, to give to his Tzarina. We'd settle for a piece from Mary Katrantzou AW11!

The interior of St Basil's Cathedral, with its beautiful floral designs

Traditional Japanese painting and kimono fabric, a distinct inspiration for the collection.

 

The scene has officially been set: prints will be at the forefront of fashion for AW11, and this time around they are intricate, bold and entirely beautiful.