The Alexander McQueen show this evening was a spectacle of demi-couture as fine as any Parisian maison could create, though this finery is all pretty much handmade in London, England. Sarah Burton, fresh from the most unpredictably brilliant, fame-making 18 months of her life was in typically low-key form backstage, while onstage her work was breathtaking in its scope of technique and the clothes were extraordinarily beautiful and haunting. This served to remind us that McQueen is dead, but that someone lighter and easier in her skin than Lee, holds the key to unlocking the brands future.
It gave me cause for thought, though, that Burton and the Alexander McQueen business is putting out a message of pure high fashion drama, with not an easy-to-wear piece, or new season fashion message in sight. This collection was all dresses. I'm not complaining, because I know full well that the selling-collection and the McQ line lookbooks will slip into my in-box soon, and that there will be clothes for everyday life in there. But where does this leave normal folk interested in seeing what the McQueen fashion message is to be for Spring Summer 2012? I say enjoy the beauty, there is not enough beauty in the world. See for yourself. It worked on us. We arrived at the McQueen show tired, we left on a high.
Furthering my attempts at photography with the new zoom lens, I give you the McQueen show, Fashion Editor At Large style.
Sarah sandwiched between Francois Henri Pinault (majority shareholder of Alexander McQueen) with his wife, the actress Salma Hayek. Salma said to her post the show "you have made me very happy"
Two tired but very happy Sarahs: Burton of McQueen, Mower of US Vogue, who is due to recieve her MBE next week.
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